Research Professor of Art, Art History and Visual Studies
I see my work as a consecutive set of acts and ideas that complement and interrupt the flow of the everyday. It’s a chain of routine-breaking routines. My role as an artist, researcher, educator, activist, cultural organizer, and producer can be understood as a cohesive whole, which develops within specific social situations and exists within and outside of conventional art settings. Presentations in museums, galleries, and academic contexts represent only a part of my overall production. A preoccupation with the theory and practice of a socially engaged art, which is rooted in daily exchanges, has led me to the formulation of an aesthetics based on public interventions, social interactions, games, and temporal rearrangements.
The range of my projects encompasses anti-monuments, language games, artist's books, radio works, lunch events, experimental workshops, events, and activities, as well as more conventional work in the form of installations, video, photography, painting, printmaking, and drawing. Regular participation in the organization and production of cultural and social networks, such as art collectives like 16Beaver Group (NY) and various immigrant grassroots organizations is also a very significant part of my work.
The circulation of my work in international circuits is a direct result of an ongoing engagement with the culture of cross-class cosmpolitanism.
Pedro Lasch: Exhibitions, 2006 | TravesÃas, sueÃ±os y fronteras: Obra plÃ¡stica de Miho Hagino, Diego Medina y Pedro Lasch at In coordination with '3rd International Congress on Migration', CIESAS Occidente. Gran MeliÃ¡, Mexico City, Mexico. (2006)
Pedro Lasch: Exhibitions, 2006 | Public Moment: Artist Forum International (AFI), Section: Justice, Collective Expectations, Collective Potentials at INSA Art Space and various other locations, Seoul, South Korea. (2006)
Pedro Lasch: Exhibitions, 2006 | How do we want to be governed? V.1.0 CRIC Centre de reflexion sur l'image et ses contextes and Ecole Cantonal de Art d'Valais, Halle Carrosserie, Route de l'ancien Sierre 11 at Sierre, Switzerland. (2006)
Pedro Lasch: Exhibitions, 2006 | Caras Vemos, Corazones No Sabemos (Faces We See, Hearts We Do Not Know): The Human Landscape of Mexican Migration to the United States at Snite Museum of Art, Notre Dame, IN. (2006)